Live to fight, please!

I couldn’t watch the photos of a 27 year old Tibetan, Jampa Yeshi, burning himself to death without horror. But even though Yeshi’s intent by setting himself ablaze was to bring attention to the Tibetan protest against China, my first reaction was, why? The reports say that over 30 Tibetans have set themselves ablaze in the last year, and what good did it bring?

The international community has so much ‘sympathy’ towards the Tibetan cause, and occassionally blames China but they wouldn’t move a finger against the Chinese. India, being the ‘kind’ hosts that we are, also wouldn’t do a thing against the neighbor because despite being the projected ‘super-power-in-20XX’ we don’t want to get into trouble with the powerful Chinese. Plus we have Kashmir and Arunachal Pradesh to look after. So nobody, except the Tibetans themselves, are interested in the cause. Perhaps except some individuals and some human rights organizations. If Tibet had oil, perhaps ‘some’ would have shown interest but that is not the case.

So what good does the ‘attention bringing suicide’ do to help the Tibetan cause? Why let the youth of a country kill themselves when it is clear that it is not helping the cause? If you want to fight for a cause, you should live to fight for it. Not die to protest, because your voice would fade away in a few days. I can’t believe that the protestors had prevented police from taking young Yeshi to the hospital. And the Tibetan leader saying that the boy ‘took an appreciative step’! If this so called Tibetan leader Dorjee really thinks it is helping the cause, he should set himself on fire to set an example. Or ask his family members to do so. Would he dare do that? Is this the message that people like him and Dalai Lama are sending to the world? Do they think they can change the Chinese oppression in Tibet by letting or encouraging their youth to burn to death themselves? is this what the Buddhist preaching is all about? Please, let them young people live. And fight.

(Photo courtesy: MSN India)

From sculptures to idols

There is a hill called ‘Kalasa Mala‘ at Akathiyoor, a beautiful village near Kunnamkulam in Thrissur. Malayalees would know this place from the popular Malayalam movies such as “Thoovaanatthumpikal” and “Bhoothakkannaadi”. Kalasamala is a popular shooting location for movie industries outside the state also and I have heard an interesting story about the place when I was there.

Once a Telugu film production team came here for shooting and their art director created a temple set. The crew had left when the filming was over but the temple set they made for the film had stayed. A few days later appeared a kal viLakku (multi-layered lanterns made of stone) in front of this temple set and people started flocking to the temple and rituals were begun. Some youth in the village brought this to the attention of the Panchayath and it is said that the higher authorities had to interfere to remove the movie set.

Now on to the topic of this post. Something happened recently that reminded me of the movie set incident at Kalasamala. Almost an year back, I saw some sculptures made of plaster of paris lying on the road side at Jagathy, in Trivandrum. I walk through the place every morning and these sculptures seemed to have been discarded by somebody, probably a north Indian vendor who sells such plaster of paris sculptures from house to house (it is a common sight in Kerala). These sculptures were of Ganesha and Ayyappa. After a few days, I noticed that the sculptures have been put straight; now on a sitting posture. Few more days passed by and there was a garland of flowers on both the sculptures. Then one day I spotted a set of incense sticks with a fresh set of garlands. Clearly, somebody has been doing a pooja with the sculptures. This continued for many months and in the last week I noticed that somebody had erected a sheet roof on top of the sculptures. Now it has the shape of a small temple.

I see a scope for Kalasamala issue to repeat here and if it is not nipped in the bud, it is going to be a very sensitive issue in the future. This is right next to the road and is blocking the footpath already (as you can see in the pictures below). If there is going to be a complete temple erected in the name of these two sculptures, which was junk in the first place, it will create traffic blockade and misuse of the public property.

Just Sharing – 7

Miniatur Wunderland
(Shared by Beena Nair through Email)

This one is truly amazing! Miniatur Wunderland is the largest model railway in the world, and one of the most successful tourist attractions in Germany. On the 1.300 m² large layout, far more than a thousand trains, aircrafts, cars and ships move about. A wonder of the world in miniature.

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Sadaa by Agnee
(Via Facebook)

Here is a song that is still looping in my computer. This beautiful song by Agnee also has some beautiful visuals. See and hear.

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About watching movies

I’ve got to read an article by Roger Ebert through a Google group of movie buffs. Mr. Ebert’s article was titled “Why I’m so conservative“. Not in politics, he says, but in his thinking about movies. Basically he is saying that he likes watching movies in projection theaters than in digital format. That got me thinking about my experiences of watching movies in cinema halls and why I would prefer a home theater experience instead. (Disclaimer: This is about my experience in watching movies in theaters in India and I mention that particularly because somebody said that the theater experience in USA is different from that of here).

The experience of watching movies on a big screen is different. It leads you to a new world, an amazingly wider world of reality and fantasy. But watching a movie in cinema halls in India is just that – watching, and not enjoying. It depends a lot on the projector, it’s operator, the crowd, the atmosphere that the cinema halls gives you, the screen, sound and so on. If one of them fails, you would never be able to appreciate a movie for what it is.

In some theaters, they project a 70mm movie in 35mm on a 70mm screen. Sometimes it goes out of focus, scenes slightly blurred. When you watch a 3D movie, which is supposed to give you a more real cinema experience, you can see some folds and dirt marks on the screen and so you end up constantly reminded that you are ‘watching’ a movie. Sometimes our good old ‘film editors’ in the projection room do their own cuts and edits. So you abruptly jump between frames or scenes. Audio in some theaters, even the ‘good ones’, turns out to be just ‘noise’ sometimes. The ambiance that the movie halls provide also matters in enjoying a movie or giving your full attention to it. In some theaters, you’d wish they had a better cooling air conditioner and in some others you wish they had a heater. Then there is the crowd. Some would push you to the sides of your chairs and some would play games to win the space for arm rest of the chair.

You think multiplexes are good, but they are a vast abode of bored people. Some of the problems mentioned above apply to multiplexes too (or at least the ones I went to, in Bangalore). And if you are watching a Hollywood movie, you are doomed. People would laugh out aloud even at the silliest joke in an English movie which does not usually happen when they watch regional language movies. You would be left wondering if the joke was something that you did not understand because of the language. I’ve felt it as if the multiplex audience, while watching English movies, wants to convince others that they do understand the language (which is – understanding English language – considered as a sign of education and intellect in India). So you would end up hearing laughter outbursts every now and then with a semi-loud chatter. As an aside, it is largely in two types of places that I have seen people trying to convince others, mostly strangers to them, that they do understand the language and appreciate cinema – in multiplexes and film festivals.

When I watch a movie in my laptop or at home theater, none of these problems affect me. The only thing I really miss is the screen size. There are many advantages to watching a movie at home. I can adjust the light and sound as I like it. That gives me a feeling that I am also being a part of the movie presentation. Ebert says, ‘projected’ is good. I think it is eery. It gives me a feeling that somebody is hiding behind me to control what I see. That doesn’t feel free. When I was a child, I used to look behind to the source of light that came to the screen (I admit that I was just curious back then, than being frightened). When the movie originates on screen, it is like a gift that somebody’s offering you, from right in front of you. It’s a call, that says, ‘come, let’s take this trip together‘. And when I am at home, and have the freedom to control the presentation of a movie, I’m also being a part of the movie. That makes me feel good.

When I watch a movie at home, I don’t have to control or hide my feelings. I don’t have to be socially conscious. I can weep if I want to or laugh out loud when I want to. I don’t have to wipe my tears before people see it. I don’t have to worry about people seeing me weep like a baby. If it is a DVD, I can read the sub-titles at places where I did not understand the spoken language (even if it is English). I don’t see pause and rewind as an advantage though; I think it’s a distraction. When it’s just me and the movie, the line of distance between us is blurred. Sometimes I can touch a character. Or can just stroke them to console.

I’m not saying that all cinema hall experiences are bad. It’s definitely worth experiencing to watch a commercial masala movie in a full house packed with people laughing and clapping and passing on comments. But there cinema doesn’t go beyond the level of being a medium for entertainment.