Kerala’s YouTube Stars!

Sound Box - August 2011

[This feature was first appeared on Sound Box, music industry magazine, in it’s special anniversary issue in August 2011]

To Hindi movie buffs, the word ‘Silsila’ would bring back memories of a popular Hindi film that featured Amitabh Bachchan, Rekha and Jaya in the lead roles. But for youth and netizens of the southern state of Kerala, “Silsila” currently refers to an album song that has become a YouTube sensation. The song video, shared by several users on the social networking website, supposedly has had more than twenty lakh hits thus far.

Nearly everyone and his uncle in Kerala is aware of this song, and in all probability, has it tucked away in his phone’s memory as well.

The song is an unlikely winner, however. A search in YouTube with ‘Silsila Hai Silsila‘ as the keywords will reap you results with the video, boasting taglines like “the worst album song ever” or “the worst song in Malayalam“. If you try one of those pages and decide to check out the comments section, you would realise that the song has probably set a record by receiving the most number of abusive comments. The song video has a set of people including two foreigners dancing as they please, without having to worry about choreography of any sort while the singer-cum-lyricist-cumcomposer-cum-director Harishankar’s face keeps popping up in between. Needless to say, there isn’t much sense to either the music or the vocals.

All publicity is good publicity

Silsila HarishankarBut that exactly is the selling point of the song. Even though the creator of the song was serious about his song, the audience has taken to it as an object of ridicule, something to laugh over with your friends.

The video has been shared through emails, social media and mobile phones. The song, that the producer-director-lyricist-singer-composer Harishankar had taken off YouTube when he received negative comments for his video when he first posted it, became an instant hit through the Net and the cell phone. Harishankar and the song went on to become the biggest YouTube sensation in Kerala.

The influence of Silsila in Malayali pop-culture is only growing. The song was featured in a Malayalam movie called “Seniors“, in a scene where students poke fun at their college principal. An upcoming Malayalam movie called “Three Kings” has its remake of the song sung by actor Jayasurya under the supervision of original singer Harishankar. In a recent stage show of AMMA (Association of Malayalam Movie Artists), Malayali superstars Mammootty, Mohan Lal and Jayaram sang this song. Avial, the rock band, featured the song in one of their live shows, and that too is now becoming a hit on YouTube.

Though he continues being ridiculed, Harishankar is a winner at the end of the day. Now every Malayali youngster and techie knows about him and his song. He has appeared on television channels and given interviews to newspapers. Many articles are being written about him in mainstream and online news channels and blogs. And Harishankar is aware that it is the negative publicity that brought him the attention. In an interview, he said, “When people called it ‘the worst Malayalam album’, Keralites were curious to see it. Malayalis are more interested in negative things.” He has also admitted in a television interview that his song has its own drawbacks and that he is just a beginner.

Spawning a trend

Santhosh PanditThe negative publicity that Harishankar and his song ‘Silsila’ received has prompted several wannabes to post their own album songs to YouTube. Aspiring and small-budget album producers now know how to publicise their songs, thanks to Harishankar and his popularity. They do not wait for approval from TV channels; instead they post their songs straight to YouTube. Sometimes this PR work is taken care of by people who stumble upon these music videos accidentally and share it through their online spaces.

After Harishankar’s “Silsila”, another song is doing the rounds on YouTube, again for all the wrong reasons. “Raathri Shubharaathri” is a song that was written, composed and sung by Santhosh Pandit. Like “Silsila”, this music video too was posted under the ‘worst Malayalam album’ title. The video of the hero singing and dancing around a teenage girl attracted much criticism when it was posted with people linking it to the news of sex rackets that use the casting couch for flesh trade. But eventually, the focus shifted to Santhosh Pandit, the hero of the music video. Pandit has so far released eight music videos on YouTube and says these songs are from his upcoming movie project, “Krishnanum Radhayum”, which he claims to be a ‘violent love story’. Now there are several websites and blogs dedicated to Pandit and his movie that has the movie stills and songs. The ‘fans’, ironically, comprise people who make fun of him, call him the Alien Star (a spoof of Super Star or Mega Star).

Unlike Harishankar, Pandit does not admit that his work may have any drawbacks but claims that his movie and the songs will bring in a sea change in Malayalam movies and music. He lashes out at big budget mainstream Malayalam movies. The audio of the phone calls that his ‘fans’ made with him are now running on YouTube and those too have become the laughing stock of Malayali netizens. But one has to admit that the compositions of Santhosh Pandit are as good as any Malayalam film song that is being churned out these days. Two people did a cover version of Pandit’s song “Raathri Subharaathri” with just guitar chords in the background and it is being appreciated online.

All in the game

So, what do we learn from Harishankar and Santhosh Pandit? Sometimes negative publicity could help you become famous (or infamous, depending on how you view it) and to sell your product which otherwise would not have seen the light of the day. Also, perhaps both these adventurers show where they draw inspiration from. If you compare Pandit’s song with the song “Entadukkal Vannadukkum” (movie: Merikkundoru Kunjaadu, singer: Shankar Mahadevan, music: Berny-Ignatius), or “Othorumichoru Gaanam Paadaan” (movie: Makante Achan, singer: Vineeth Srinivasan, music: M Jayachandran), or “Moham Kondaal” (movie: Christian Brothers, music: Deepak Dev), it will make you think that Pandit’s song is anytime better than these movie songs in terms of lyrics and music and perhaps the only thing that it lacks is a good vocalist and an industry-standard orchestrator.

With Harishankar and Pandit both having become household names in Kerala, more such ‘internet sensations’ could very well be launched in the near future. For an audience that thrives on such entertainment, the fun is just beginning.

Kudos to you, Gayatri!

My respect to playback singer Gayatri just went up for speaking openly against the malpractices of Malayalam film music industry. Gayatri, in a response to music director M Jayachandran, has lashed out at his unwarranted comments. Read the full interview here (in Malayalam).

To those who cannot read Malayalam, here is a loose translation of the core of what she said:

M Jayachandran doesn’t need to tell me that I should listen to Shreya Ghoshal. I don’t need his advise. I don’t need to hear his opinion to understand that Shreya is the best singer in India. I’m not stupid enough to criticize Shreya’s singing.

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I’ve never asked for a chance to any music director. I am very happy in my space. These people should understand this.

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Bollywood singers are paid good money here, but what is the situation of our singers up north? I know about this. I have heard people blaming Hariharan’s pronunciation. They are very strict on this matter. They never would excuse even a small mistake. But what about us? The song “Chaanchaadi aadi” sung by Adnan Sami is rated very low in the charts. It’s not my personal opinion. People say this on media. The problem is not the choice of the audience, but the attitude of [Malayalam film music] industry.

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The industry doesn’t consider the local singers. I stand by that opinion. Singers from other states are VIPs for us. But do we get the same treatment from them? We are still asked “do you want the travel allowance” after we sing and this happens to singers like us who have been in this field for years. We are asked such questions when the north Indian singers are paid upto Rs. 75,000 per song. But the industry doesn’t have at least Rs. 2000 for singers like us.

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Why this discrimination? If it’s Adnan Sami, they are ready to pay upto 1 lakh rupees. We do not ask even half of this amount. All singers face this but nobody dare to tell the truth. But it must be told.

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Up to an extent, it is the singers themselves to be blamed. Some singers who come from reality shows tell the MDs, “sir, I will give Rs. 50000, please give me a chance”. Singers as a whole suffer due to this kind of people.

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There are organizations like MACTA and FEFKA. We go to their programmes and sing for free. They need our co-operation for their programmes but our needs are not considered.

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There is no gender difference in the case of singers not being paid for their work. In Bollywood and Tamil Nadu, they would send us call sheets even for small jingles. It is because they respect the work we do. Is there anything like it here?

Also you can listen to my Malayalam podcast with Gayatri and Pradip Somasundaran (in two parts) for M-Pod below.

Part I

Part II

About friends and friendship

Yet another friendship day that Hallmark invented and keeps on popularizing has come. Well, I am not planning to send any greeting card to any friend, but would like to take this moment to remember my friends and thank them for the friendship.

They say you can only rely on your childhood friends. And the friends you make in the virtual world cannot be trusted. From my personal experience, it is not always true. There were many moments in my life when I used to be let down hugely by some of my childhood friends who valued money and social status more. Forgive and forget policy works and the friendship still goes on. But there were some genuine and sincere childhood friendships which continue to this date. And I have realized that the number of days or years of friendship does not really count in a good friendship.What matters is how much your friend cares for and supports you.

Friends in need are friends indeed, as the saying goes. But it’s not only them who have become my best friends. There are many others who would just brighten up the moments I sit with and talk to them. With whom I can share my happy and sad moments. From both the real and virtual world. But then there are some that needs a special mention because they were involved in some special or most needed hours of my life.

A friend, who always remained in the backstage and never took credit for what she did, had helped me so much with M-Pod, my Malayalam podcast. She took me along to many events, introduced me to people, various forms of art and activism and in the process I learned a lot. At the early stages of adulthood, when I was emotionally unstable – because I was still learning what life and relationships were and couldn’t take it myself when people I loved hurt me – she was the shoulder to cry on.

There were not many tools available in the initial days of music blogging and the only option was Audioblogger (now known as Hipcast), an embeddable music player that also hosts MP3 files. I tried it on a trial mode and got some appreciation for my songs. I was about to quit after the trial period and that was when this man, who was just an online friend then, came up and gifted me a 2-yrs subscription. He only requested (not even demanded) that I should keep singing. You have to understand that it happened at a time (which remains un-changed even today) when people wouldn’t pay even to hear their favorite or famous/popular singers. And he paid $ to hear my songs which I recorded using my poor quality chat microphone. We remain good friends.

When I wanted to fight a legal case and sought help, there was this other friend who is a corporate lawyer and she offered all the legal help. For free. She kept following up even among her busy schedules and made sure everything worked fine throughout the process. And once when my own ignorance put me in a bad position, her words gave me much comfort.

There is another friend who once helped me connect with his friend to get me a job interview, at a time I needed a job so badly. I was in the middle of nowhere and had just quit from a job after just a single working day because the work schedule there was frustrating. This friend, who mesmerizes people with his music, helped me at the need of the hour.

When my Mom needed to have an angioplasty done, it had to be decided and acted upon quickly after the angiogram. I had to arrange the money overnight because the hospital administrator said that I would have to pay Rs. 1.12 lakhs upfront for the stent. I was short of 75 grands even after pooling up the money I had saved. Though I would get this 75k in a week’s time I still needed the money for the moment. Then I called up a friend and asked for help. He said – “I have saved 5 lakhs for my wedding which is in the next 3 months. Just tell me how much you want and I will transfer to your bank account“. This is a friend whom I’d known only for 3-4 years but became close friends. Nobody else, even the wealthy ones in the family, could give me such a comforting assurance.

Then there are others who tried (and who keep trying) to see me reach a place in the music industry. Like a researcher in a university in the UK who kept pestering his friends in the music industry to give me a break. Another one, a doctor from UK who gave me a chance to showcase my music in one of his projects. A playback singer’s mother, who gave me valuable suggestions and called me to catch a flight and go to Chennai to participate in Airtel Super Singer (and I couldn’t go because there was a function in the family).

Any relationship without love and care is meaningless. People say that family is important and that they are the ones who would stand for you when you need help. I agree, but most of the times it is the obligation of ‘blood-relation’ that makes the family stand close, not the love itself. Whereas in friendship (and in love, in some cases, until it takes the customary form of commitment), there is no such obligation. There, the love is pure and selfless. And that’s what makes the world go round. That is why friendship and friends are so important in our lives.

So thank you everyone, all my best friends, good friends, casual friends and acquaintances, for the love and support. And those who only saw me as a tool, an object, a funny-figure or a feel-good thing, I never gave a damn about you. Not that I am a perfect person or have not been a jerk at times though.

A young man’s tale

My dearest Appu,

I’m not so good at story telling, though I do or rather did like writing them when I was a boy. One of your aunts was so good at telling fascinating stories and we the younger ones were enthralled by her story telling skills. But today, I’m going to tell you a story. Story of  a young man called Varghese. You won’t get to read the stories of people like him in the books or in history because to the public, they and their lives are so uninteresting. There are probably millions of Vargheses in the world who born and die everyday and not a single person would take notice because they are so ordinary. They are ‘destined’ to live their un-interesting lives.

Okay, so our story begins in a village, now a town, in the middle part of Kerala. Varghese was born 41 years back on an August 3rd to a crude father and a lovely mother. He was the fourth child of the couple. He was named after St. George and don’t ask me why people with the name Varghese have St. George as their patron saint. Perhaps it is because St. George has a Malayalam name of “Gee Varghese” (‘ghee-varugees‘ as the name spelled in Malayalam).

Varghese was different from other kids in his family. He was slightly dark, too much of an introvert and artistic. He loved painting, movies, music and reading. He was very possessive about the people whom he loved (here, perhaps you can draw some parallels between him and your Appan). Varghese did not study much and dropped out of school early. He did many jobs after that. He worked as a salesman in a fancy goods selling shop in the town. He worked there for many years and then moved on to masonry.

Varghese did not have many friends or rather was very choosy of his friends. He did not hang out with friends much. He spent his spare time painting. He loved art though he did not have access to learn much about art or artists. All he knew was to paint with the pastels and a single brush that he had bought with his own money. He could not afford to buy a canvas paper, so he would collect the old Sivakasi calendars to paint on it’s back, on the white space. His youngest brother would curiously look at him doing the painting – first the outer form with a pencil and then the pastel colors flowing on the paper with the stroke of a brush. He was so skilled. People who saw his artistic skills asked the family to enroll him in an art school or send him to somebody who can teach him art. But how can a family that struggled hard to make their ends meet afford to pay the fee for such a thing? But he did not give up. He continued painting with pastels on the back of the calendars or with a white chalk on their verandah. He even applied some of his skills in his masonry work with the permission of his supervisors.

Another passion of his was movies. He so loved movies. And he would take his youngest brother along to watch movies. Imagine a young man just in his twenties taking his brother who is ten years younger than him to movie halls while he could have hung out with his friends. If he couldn’t take his brother, he would narrate the story lines to him. And Varghese had some skill in narrating the story line of movies with hand and face gestures. So he would narrate Ten Commandments or Benhur to his brother who loved these story telling sessions. Like I said before, he rarely went out with his friends but he had a solid set of friends who stood by him. After each day’s work, he would come home, take a shower and would go to the nearest library where he was a member. Or he would go for a movie screening organized by Navachitra Film Society in which he was a member.

Then on a bright Sunday morning of January in 1997, while he was on his way to attend a friend’s wedding, he met with an accident that took his life away. He was just 27 years old when he died.

If you ask me why Varghese’s life was so interesting to me, it is not only because he was my second elder brother, your Valyappan, and we loved each other so much but also it is about a young man who was denied the opportunities he could have had as an artist. It is about young men like him denied of the chances and had to suppress themselves because of the lack of money or the people around them thought that art could get them no where. And one day they just fade out to memory. Nobody asked him if he was happy with the life he had. He never complained.

Do you know why his birthday this year makes me sad than ever in his memories? Because now I understand why my Amma still can’t control the tears when she speaks of my brother. Now I understand how it would feel when you lose a child forever. How precious a child is to a parent. How the first memory of holding their child would rush to their mind when they think of their child’s birthday. Today, I drop a tear for your Ammamma and pray God give her strength and comfort.

PS: You know I don’t usually cross-post anything I write in this private blog I created for you. But I made an exception this time and I am going to publish this post in my blog also, because I wanted to tell the world about him.

PPS: I love you so much!

Group Activity

[This feature was first appeared in the July issue of Soundbox, India’s premier music trade magazine. Checkout the website here.]

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Group Activity

It was late in the evening when a group of three techies walked into one of the residential colonies in Bengaluru. They were going to attend what their host called a musical get-together and they did not have the slightest idea of what to expect. They heard people singing when they entered the host’s house, some people even dancing to the music, all of which was followed by thunderous applause and appreciation. It felt weird to them that a group of people came together, many of them not even amateur singers, just to sing their hearts out. But as they sat through the event and heard the songs being belted out one after the other, they were totally moved. Here was a group of people encouraging and applauding each other to sing just for the love of music and not to scale their ability to sing as in a reality show. Here, it is music that rules.

People from several walks of life in the metro cities and small towns in the southern part of India are forming music appreciation groups where they also get to shape their raw talents. And they are not shy to sing their heart out before the others in their group meetings, because these groups are not primarily about showing off but appreciating a certain song, composer, lyricist or singer.

Inspired by Antakshari

Ant-Tak (meaning ‘till the end‘ ) is one such group based in Bengaluru. They begin the music sessions in the early evening and the music goes on until the wee hours of the morning. According to Rama Iyer, a lawyer and partner at Legal Solutions Bangalore, who is also one of the hosts and organising members of Ant-Tak, the idea of this group came about after a corporate antakshari contest in 2004. An Ant-Tak member’s company had planned to send teams to the contest after internally picking out people who were interested in music. It was then that they realised there were many people within the company who were passionate about music. The rehearsal sessions were filled with the participants’ family members who helped them with song information for the contest. And music being the bonding factor, they became friends in a short span of time. This made way for further get-togethers to sing with karaoke tracks and some music instruments (played by the members themselves) and many other friends joined them. Ant-Tak has held 31 music sessions and the event mostly takes place at members’ homes. If the number of people coming over to the meeting is larger than can be accommodated at home, the host family rents a hall for the purpose, even though it is not obligatory for each family to host an event.

Theme song

Priya and Venkat, a couple from Bengaluru were instrumental in bringing together like minded people and hosted many such music meets in the city. The last event they organised was this April, named Ek sham Bhoole Bisre Geet ke naam. The meet was firmed up through Bhoole Bisre Geet, a music group on Facebook. The success of the event has encouraged the group and they are now planning to arrange such meets in Mumbai and Delhi.

Bangalore groupThese musical meets sometimes have a central theme. If Ek sham Bhoole Bisre Geet ke naam was about celebrating retro Hindi film songs, they had two musical meets dedicated to the legendary composer M S Viswanathan. They talked about MSV’s music, exchanged tit-bits of his compositions, played his original tracks and their own instrumental versions and sang his songs together. And not just that – the group had M S Viswanathan, the man himself, for two days when the group interacted with him about his music. Priya notes that it was the happiest moment of her life. Another event of Ant-Tak was named Bollywood Hungama where the members came dressed as Bollywood characters and movie posters were plastered on the walls.

There are people from several walks of life who participate in these shows and what bring them together is their love and appreciation of music, irrespective of the language. The participating homes are suitably decorated, most of the times with a banner that has the event name on it. Songs in different languages are sung at these events. But it’s not just about singing one song after the other. The participants spend time in appreciating the lyrical and musical aspects of a song. Sometimes, karaoke tracks keep company or music instruments are played by some of the members.

Notes from the homeland

Roshni Chandran and Iyyappan Santhanam, a couple from Los Angeles formed a group DesiTunes with the primary goal to unite the Indian/desi musicians in Los Angeles. DesiTunes also welcomes musicians of other nationalities who are interested in performing Indian/desi music. Roshni says that though there were many musicans of Indian origin in Los Angeles, there is no common platform for all of them to meet or socialise and this is what DesiTunes is striving to provide.Los Angeles group They meet twice a month to jam with other musicians. “Usually they have to wait for once-ayear community events organised by Indian regional communities where they hardly get a chance to sing a song due to the time constraints. We thought it would be helpful to create a consistent opportunity to perform where it could benefit the existing and the new musicians who relocate to Los Angeles to get the exposure they deserve,” Roshni says.

Back in Thrissur, Kerala, another group of people organises a monthly music meet-up called paaTTarangu. The event takes place every month in Thrissur town, at any convenient location. The songs are mostly unplugged versions without any karaoke or instrumental tracks to support the vocals. They welcome everyone to join them and invite a celebrity guest singer for every meet-up. The response, they say, is heartening.

So what goals do these groups achieve with these meet-ups? Priya and Venkat say the aspirations of participants are on different levels. “What happens is, they better their own performances the next time. Each one takes time to select songs, learn them, procure karaokes somehow, practice well and when they render at the music meets, it is sheer happiness to see the contentment on their faces,” Priya notes. She says it has also helped people, especially the kids, to get over the stage fear and the fear of holding microphones and singing in front of a group of people. paaTTarangu also has a similar success story to tell about singers from the city of Thrissur in Kerala. For DesiTunes, it is all about meeting, socialising and jamming with fellow musicians. “And for others, it is a consistent opportunity to perform which in turn gives them a chance to display their talent. There are a few music bands which are part of DesiTunes and some of these bands have been able to select singers/musicians based on their performance during our past meet-ups.

In the early days, people were happy and content with singing along the karaoke tracks in their private spaces. They called themselves ‘bathroom singers’ and were hesitant to express their appreciation towards music by singing in public spaces. But with many of these groups encouraging people to sing before the others and help them get better and better with each new meetup, south India could witness a new trend of grooming musicians through impromptu music sessions and meetups. Not to mention allowing all those bathroom singers to be able to sing their heart out!

‘Chappa Kurish’ is an honest film

Chappa Kurishu posterChappa Kurish‘ is a strange name for a Malayalam movie. Everybody was wondering what the name meant when they first heard the movie title. Later we learned that it is the Fort Kochi slang for ‘Head or Tail’ and the movie held true to it’s title, portraying two different lives in contrast to each other. The movie is directed by cinematographer Sameer Thahir (his directorial debut) and he also shares the writing credits with Unni R.

The story is simple and contemporary and it has been woven in a credible manner. The protagonists of the movie, Arjun (Fahad Fazil) and Ansari (Vineeth Srinivasan), live in the same city but in two different worlds. Arjun, a successful young businessman and a playboy who is engaged to Ann (Roma) but also has a relationship with Sonia (Remya Nambeesan), his colleague. Ansari is a cleaning boy in one of the super markets in the city, who is always ridiculed by his boss and almost everyone else except Nafeeza (Niveda) – his love interest. The story gets interesting when Arjun loses his iPhone and Ansari gets hold of it. Arjun desperately wants to get his phone back because it contains the video clip of his private moments with Sonia and it can  jeopardize his upcoming wedding and Sonia’s life altogether.

Ansari doesn’t easily give the phone away and it is not because of the video clip (he is not aware of it) or he wants to sell it. It is simply because this phone is a powerful tool that he could ever get. He even tells his love interest once that, “when you have this phone, you don’t have to be afraid of anything in this world“. He enjoys it when Arjun pleads to him and address him as “Sir” because he never had respect from anyone else in this world. He loves it even more when he could use Arjun to slap his boss, or to pour black oil on the Volkswagen of a woman who accused him of misbehavior and got his boss to make him apologize to her (for something he never did).

Eventually, Ansari decides to give the phone back when Nafeeza insists. But things go out of hand when the mobile shop owner, who offers to help Ansari to charge the phone battery, extracts the clip off the phone and upload it to YouTube under the title “Mallu Boy and Girl New“. The video goes viral thereafter and Arjun goes to find Ansari on his own.

Almost everything in this movie is told honestly. The plot, the characters, how they respond to each other and situations of the story are all so honest and natural. It is this honesty that I liked about this movie. Fahad as Arjun and Vineeth as Ansari have given wonderful performances. With their body language and acting, they have made their characters credible. I never liked Vineeth Srinivasan in any of his movies until now (Fahad also was disastrous in his first movie), but Ansari is one character that fits him like a T and he has done full justice to his role. Fahad is to be noted for his top-notch, matured performance.

There are a few firsts about this movie when it comes to Malayalam cinema. Except for one song sequence, the entire movie was shot on Canon 7D, a still camera (apparently, the Hindi movie “Stanley Ka Dabba” and parts of Hollywood movie “Black Swan” were also shot with Canon 7D). The traditional ‘blossoming-flower syndrome‘ for love-making scenes has moved way to a two minute smooch between Sonia and Fahad. Remya Nambeesan has to be applauded for having the guts to do it in a Malayalam movie. The climax action sequences were realistic, something that you also would do in real life, if put yourself in a similar situation. We would think that it is going the ordinary way when the movie clip goes online and we see Sonia going to the toilet with a blade. But we spot her in an airport later and she is also joined by Arjun soon. Jomon T John on camera and Rex Vijayan (Avial fame) with music also have done commendable work. But I wish Rex’s background score was a bit more tight at scenes like Arjun chasing Ansari.

If there is anything that I would complain about this movie, it is the scripting and editing and those are not small things to pass on. Had there been a tight script and an editor who knew his job, this movie would have easily become the best Malayalam cinema in the recent years. But in many scenes the movie loses it’s pace when it should have kept it’s viewers gripped to their seats.

My rating:

(Image courtesy: Wikipedia)

Life, on a journey

Train Journey

Train journeys are not always interesting if you are a frequent traveler. When you travel twice a week in the same route and train it can get so boring. I always take either a book to read or charge my Zune fully so I can hear music or podcasts while sitting in the train for long 6-7 hours. But I realized last week that there still could be something interesting if you look around. Last week’s train journey back home was quite interesting that way.

The Thiruvananthapuram-Guruvayur intercity express train is always packed with daily commuters and devotees of Guruvayurappan. Daily commuters would get off mostly at Varkkala, Kollam, Kaayamkulam stations. The devotees to Guruvayur travel with family and there would be new born babies in many of these family groups. I assume that they take their little ones for the “chORooNu” ceremony at Guruvayur temple. It is a pleasure for me to see these babies, mostly because they would come close to the age group of my little one (they would mostly be 5 to 8 months old). Their bright colored dress, wide smiles and naughtiness would remind me of my kiddo and my heart would yearn to get to my son, take him in my arms and plant a kiss on his cheek.

An ordinary seat for three, with no dividers in between doesn’t give you much comfort. So imagine the other two people sitting beside you are XL. The man who sat next to me was a tall, big fellow and there was his wife, who is not so tall but still big, sat beside him. They did not really squeeze me in the beginning, but who has control over their bodies when they fall asleep? So as the train moved, the man’s body went loose and I had to bear much of his body weight.

On another seat was a girl with dark circles around her eyes. The Infosys logo on her backpack explained the dark circles and why she looked so sleepy. She must have worked long schedules to get her leave. You don’t usually spot a regular weekender in a Thursday train. She plugged in the earphones and looked away throughout the journey until she finally got off at Ernakulam. Just a couple of blocks away, a group of cheerful young girls were persuading each other to sing. Finally, they sang together but I guess they were a bit shy, even with their loud voices, so the song faded out after a couple of lines.

When the train passed through the Varkkala-Kollam stretch, I saw many homes that had the Gods’ photos in their sit-outs, all brightly lit with electric bulbs. I guess these are Eazhava houses from the photo of Sri Narayana Guru that took the center stage of the Gods’ photos. Seemed interesting to me because usually the Hindu households would have a lit Deepam on the front.

At Munroe Turutthu, a group of people were waiting to see-off a young man. One of them, an old lady, was weeping loud enough for people inside the train to take notice. A young woman whom the old lady was hugging tight while weeping was looking at others with embarassment and tried to comfort her. As the train slowly moved, rest of the people – all of them looking cheerful except the old lady – moved along with the train to wave to the young man. The old lady, now without a shoulder to cry on stood there alone, still weeping and wiping her tears off with the tip of her saree.

There is something different about the toilet art lately. In the toilet at one end of the compartment had the same sleeze you usually see in the train toilets, but on another end lied a surprise. Here, people were a bit spiritual and philosophical. Here are a few I read while taking a leak.

Body is mortal, but the soul is immortal – Bhagavad Gita“, read one in Malayalam.

Why does Lord Vishnu have five hands? To control our five elements“, again in Malayalam.

We love all, we help all, we are the sons of Lord Krishna“, read another in English.

Another curious one read, “You don’t know yourself, think for once about who you are, then do as you please“.

Finally a fairly new one that read, “I want girls, call 9xxxxx xxxxx“. And next to it another one that read, “Go to your mother“.

Salt N’ Pepper – What really is cooking?

Salt N Pepper poster

From the movie reviews that I read in several websites and FB status messages, it seemed to me that “Salt N Pepper” was a refreshing, path-breaking, unconventional movie that is part of a ‘movement in Malayalam cinema’ (courtesy: Prithviraj) lead by some young people in the industry.

But the hiccup starts right from the beginning, when Kaalidasan abducts Mooppan from the wild. Kaalidasan wants the viewers to believe that he has plans to learn the unknown tribal recipes from the Mooppan, but throughout the movie, Mooppan is just an antique decoration in Kaalidasan’s house. He says nothing, does nothing except staring and smiling at times. We don’t know why that character is even there if not to bring in the ‘human right activists joke’ into picture. Oh yeah, we need to talk about that joke.

Off late, Human rights activism has been made a subject of ridiculeness in some Malayalam movies. It was started off with Major Ravi and his war movies and the nationalist fervor of people has cheered them all the way. Aashiq Abu does the same kind of ridiculing, with that loud ex-police character so it is easy for the viewers to hate the human rights activists. As a result, Kaalidasan, who pulled a tribal man off his environment and does nothing for him and rather Kaalidasan’s intention is to make use of Moopan to please his taste buds, is portrayed as the good man and the hero. The human rights activists who try to save the old man are portrayed evil.

Then comes Maya, the rebellious dubbing artiste who knows how to handle the guys in the studio or the big shot film industry people, who in a boozing session with her flat mates says that “being a woman, I fell for his trap” referring to her failed romantic relationship. The director who was bold enough to let the heroine hold a bottle of beer still couldn’t do without the ‘traditional wisdom’ that women are, by nature, fragile. Typecast never ends as the male assistant in the beauty salon acts like a woman. Again the traditional wisdom that men working in the beauty/glamor industry must be lady-boyish.

The film’s highlight is it’s light-hearted comedy but some bits of it is not so light-hearted. For example, look at the scene where Maya asks for ‘garlic chutney’ (to go with the Thattil Kutty Dosa) and Kaalidasan reacts by looking at his private parts. The hint is clear and Aashiq Abu certainly knows how to please his male audience. We should also note that this is the kind of ‘comedy’ that is seen in Malayalam cinema/TV/live shows these days.

So much so to the ‘path-breaking, un-conventional’ movie. But the film is not without it’s positives. The way that Kaalidasan bonds with Maya through their common love for food has been portrayed nicely. Their conversations on food, their own different reasons to love food – Kaalidasan a born foodie and Maya cooks to connect with her mother’s memories – have also been shown nicely. The most yummy and well taken scene in the movie is when Kaalidasan tells Maya the recipe of Joan’s Rainbow Cake and both make and relish it. The old Premier Padmini is also a part of the movie that does it’s role well while abruptly playing the music through it’s dysfunctional radio.

There is nothing much to be said about Lal and Shweta Menon (who have portrayed Kaalidasan and Maaya respectively) as we already know how talented these two actors are. Surprise of course comes from Baburaj, who usually does villainous characters, doing a comic role here. The scene that Lal asks Baburaj to go with him was hilarious.

When the movie ends, you would be wondering why the much-awaited meeting of Maya and Kaalidasan was scheduled at a museum and not in a food joint. But that is quite obvious as the food factor is forgotten right after the first half of the movie and from then onwards it’s an excessive bit of salt and pepper you taste here and there.

Mazha Njaan Arinjirunnilla (cover)

It has been more than two months since I have sung or recorded anything. Thanks to my wifey and kiddo who were kind enough to leave me alone on a Saturday evening, I recorded a cover version of this beautiful song without any backing track. Do hear and let me know how it sounds. 🙂

Movie: Doctor Patient (2009)
Lyrics: Rafeeq Ahammed
Music: Bennet-Veetrag
Original singer: Hariharan
Covered by: Joseph Thomas (Jo)

Mazha njaan arinjirunnilla (cover) by jocalling