Arikathaayaaro (cover)

Phew! It’s been a long time since I have posted some music here. As much as I love music, I have to admit that I am getting sick of posting karaokes. I just don’t feel much enthusiasm that I had during the initial days of music blogging to do the karaokes. I feel like a ghost of someone else when I do karaokes. People have a tendency to compare your version with the original regardless of how much you try to put your own signature to the song. And that makes me sick. I don’t want to be a ghost anymore. And that might perhaps mark the end of my online singing pretty soon if I don’t get to do the originals. (Yes, I still want do an album of myself with the original songs, composed and sung by myself, but I don’t have a producer yet). But still, the karaoke singing at least helps me keep up with music – singing – because otherwise I don’t seriously sing anything, so this is sort of a practice medium.

The song of the day is from the Malayalam movie Bodyguard, composed by my favorite music director Ouseppachan and sung by Ranjith. This is a pretty tough song that challenges the breath control with it’s fast pace and the plans that comes in between. Here is my try anyway.

Movie: Bodyguard (Malayalam)
Music: Ouseppachan
Original singer: Ranjith
Covered by: Joseph Thomas (Jo)

Download “Arikathaayaro” (3.77 MB)

(image courtesy: Sify.com)

Brainstorming Blogswara

Blogswara logo

Starting from the year 2006, Blogswara has released 6 online albums with 61 original songs in 5 Indian languages (Hindi, Malayalam, Tamil, Telugu and Kannada) by 101 individual artists. So much effort has gone into the release of each Blogswara album by everyone involved in this project. What Blogswara aimed for was never a commercial benefit out of it, or to make a band of our own, but to promote amateur music and give a platform for musicians who otherwise would not have been heard in the public. People who have participated in Blogswara have dreamed of sharing the music for free using the power of Internet. Many people who have participated in the Blogswara, who have worked together on a song, have not even met in the real world but made music happen. It was proof that music can unite people. It was all this and much more that has kept the spirit of Blogswara going.

But we think not everything is fair. Our audience has been consistent but limited, considering the wide reach that the Internet offers. And I think that the Blogswara members / musicians deserve a wider audience for the effort they put in. And we tried to reach out to the world. We had our bit of media publicity too. But it seems that the best way to reach out to a wider audience is through tapping the offline audience that comes in huge numbers.

You need money and marketing techniques to promote an album offline. Since Blogswara is a non-profit entity, it is impossible to pour in money. The other way is to get your songs and the concept aired through the radio – but they don’t seem to be interested in broadcasting anything other than filmy music.

At this moment, I think the time has come to think of a revamp, a fresh outlook to the whole concept. Keeping in mind that the very idea of Blogswara came through various discussions with online friends, I request you to put your thoughts, answers or criticism in the comments section.

  • Do you think it is time to bid good-bye to Blogswara? A concept that has been widely admired over these years by anyone who have heard of it? If so, why?
  • What can be done to bring more life to the concept, keeping the founding concepts in mind?

Please take your time and give us your thoughtful inputs. look forward to that. Thank you!

One man’s dream

This happened many years back. It was the early hours of the night. I was sitting in the veranda with the earphones of the walkman plugged into my ears. Soft, soothing music flowed. I fell into a light sleep.

Then…

An empty beach in the twilight. Wind blows lightly. Soft piano tones.

There stands a woman, so beautiful, her white robe floats in the wind. She stands against me and smiles at me. A set of violins and cellos rises, with a light tone of flute. Music is heavenly.

Now she is walking along.

A hug. Eyes closed. Kiss.

Then rises a set of strings of violin and cello. Her fangs, goes deep into my neck, sucking off my blood.

Then I woke up. The music was almost over. Soft piano tones were playing to mark the end of the song. I sat there wondering what just happened. I wasn’t in a deep sleep. I could remember the melody which was being played, while having this dream. Yet, that dream, however short it was, felt so real. I took the album cover and searched for the song name. I read the song title in total awe – One Man’s Dream.

That was the first and only time that I can remember when music created a clear imagery while listening to a song.

Etho January Maasam (cover)

This song is one of my most favorites from M Jayachandran. A very melodious number, originally sung by Karthik, I love this song for its soulful music and orchestration. I had posted an unplugged version of this song before and now here it comes with full karaoke track. This is my first recorded song after marriage which means after a gap of more than 2 months. 🙂

Dedicating this song to all those “modernists” of music who say melody sucks (the term “melody” here is not used in the musical terms, but as a substitute for soulful music) but seldom knows that even most of their musical favorites have a strong base of melody. The God of the modernists is A R Rahman, who is mostly remembered for his melodious numbers than his forgettable fast paced songs (remember Roja, Karuthamma etc). They say A R Rahman is “fresh” in orchestration, even though he has not created anything fresh than what many Indo-American fusion artistes have already done. But since film music is the popular form of music in India, Rahman continues to don the role of bringing freshness to Indian popular music scene (I respect A R Rahman for another thing – for giving proper credits to lead instrumentalists in the album cover).

I pity those modernists whose idea of “Freshness” in music is very limited. They often point to other musicians from across the globe – for example, a Sufi singer who has sung only Sufi music to his death, or a musician of a particular Genre who has never tried any other Genre than what he/she has been singing from the very beginning and they call it “fresh”. But when an Indian musician/singer does the same thing, it’s called “boring”. And their enemy #1 is K J Yesudas.

I listen to all kind of music, perhaps except death metal and appreciate each of them for it’s own good and according to my mood to hear a particular genre of music. But to call an entire society’s taste “boring”, just because they listen to Yesudas or melodious music in general? Well, Pity is the word.

Music: M Jayachandran
Lyrics: Gireesh Puthenchery
Movie: Orkkuka Vallappozhum
Singer: Karthik

Download “Etho January Maasam (cover)” MP3 file (4:09 MB)

Music heals, says Robert Gupta

I came across this TED talk by Robert Gupta, a Violinist with Los Angeles philharmonic orchestra. I have heard people mockingly asking me “so, if music can heal, can it be used to cure cancer?” etc. I don’t know what are the possibilities of using music in the field of medicine (there are a lot of researches going on about this already), but I can testify that music really heals the emotional troubles and it soothes the soul. And if music can do such wonders with our mind, I believe it definitely can make an effect in the body too, if we are to believe that our mind and body are connected. And if placebo effect, holistic medicine etc are working, why not music as a medicine?

Anyways, you will enjoy Mr. Gupta’s talk more if you have seen the movie The Soloist. For now, over to Robert Gupta:

Related post: Why do you listen to music?

“Up in the Air”

Up in the AirYou know what? I like Shahrukh Khan. I think he has an amazing screen presence and on-screen energy which makes even his dumbest movies watchable at least for the first half. His on-screen chemistry with the leading ladies is always awesome. Yet, regardless of those screen names – Rahul, Raj or whatever – Shahrukh is always Shahrukh.

What I said about can be applied to George Clooney also. The man has a killer charm, wonderful on-screen presence and energy, yet remains to be Clooney for most of the times (perhaps except in the movie “Syrianna“). Be it Danny Ocean (Ocean’s series), Michael Clayton (Michael Clayton), Miles Massey (Intolerable Cruelty), Harry Pfarrer (Burn After Reading) or Ryan Bingham in “Up in the Air“. Clooney, with all his admirable charm and acting skills, hardly turns to become the character. He, like Shahrukh, gives the Clooney identity to most of the characters he played.

Which is why it turns out that the most notable performance of the movie “Up in the Air” is by Vera Farmiga with her portrayal of Alex. Alex is a frequently flying “air-companion” of Bingham and they have a casual sex relationship. Even an emotionally strong man like Bingham (his job is to fire people for corporate companies) who doesn’t spare enough time for family or friends (his friends are not even mentioned) gets the hang of boredom and falls for Alex. There you see Alex who asks “what are you doing here?” when Bingham knocks on the door of her house, where she lives with her family about which she never mentioned to Bingham. She goes ahead and tells him that her family is her real life and Ryan is simply an escape. Yet she does not bother to tell him later that they can meet up again. Vera simply handles the role of Alex who leads two parallel lives and compared to Clooney, she totally immerse herself into the character than Clooney making a Clooney out of Ryan.

The movie looks into the brutal realities of the corporate culture and it handles the theme so well without too much drama. Another actor who stands out in the movie is Anna Kendrick as Natalie Keener, an ambitious young woman who works with Ryan. Her performance is very honest and convincing.

The movie is subtle, convincing and comes with wonderful performances by the lead actors, but Clooney’s nomination for Best Actor in the Oscar? I think it’s not worth it.

Blogswara in the news – again!

I must thank Indian Express for their continued support to a non-commercial platform like Blogswara. This article appeared in their Kochi edition in the beginning of the month. Thanks to you guys, for your continued support to sustain the uncelebrated, off-stream music. (By the way, have you heard the songs yet?)


Express Features

First Published : 05 Mar 2010 12:48:00 AM IST

KOCHI: Blogswara , the internet music community that acts as a common platform for amateur musicians, has released its sixth album.

The album has 14 songs sung by 22 new artists in four Indian languages.

A free music movement where visitors/ listeners can listen and download mp3 files free of cost, Blogswara (www.blogswara.in) began as a blogging initiative by a few people around the globe, who loved to sing.

Till date, many of the singers associated with Blogswara have not met each other.

According to Joseph Thomas, who was one of the first to launch the concept of Blogswara, the attempt is to showcase the hidden talent of amateur singers before the world by producing original music and sharing it over the internet.

“Soon after the release of Blogswara version 5, we had begun with the work of the 6th album. For the first time, we have included a Telugu song, last time we had included a Kannada song. It’s the first time that so many amateurs are joining the effort, last time we had 15 new singers,” says Joseph.

Professional singers like Pradeep Somasundaram and TV anchor Divya have also rendered their voice for the album.

Blogswara proves that people, wherever they are or whatever languages they speak, can come together for a cause – here the cause being music.

And the digital age has made it easy for them to collaborate, the blog says.

True to its tagline, ‘United in Music’, the album has many lyricists and music composers from across the globe, who worked from their respective places together to come up with the album.

News link here

Malayalam movies, English titles

2009 is perhaps an year in which we have seen more Malayalam movies with English titles. Early 2010 movie titles also are not much different. Look at some of these titles below. Going by this, it will be too difficult to figure out the language of a movie by its name. 🙂

Senior Mandrake
Happy Husbands
Bodyguard
Decent Parties
My Big Father
Chemistry
Kerala Cafe
Angel John
Robin Hood
Loud Speaker
Duplicate
Daddy Cool
Dr Patient
Passenger
Moss N Cat
Sagar Alias Jacky
Love in Singapore
Colours

Thilakan and “The Gangs of New Kerala”

What goes on in the Malayalam movie industry these days make the movie lovers quite sad. The current state of the Malayalam movies is quite pathetic. We have only a couple of hits each year and rest of them bombs in the box office. The state of the cinema theaters is also pathetic that one wouldn’t take the pain of going to a theater to watch a movie and would rather watch it at his own home. With the arrival of big LCD screens, Dolby home theater sound systems and DVD/Blue-Ray discs, watching a movie at home is much much more comfortable than watching it in a theater. As a result, many theaters are closing down rapidly.

But who cares? There is absolutely no effective discussions going on about a rescue plan. The people in the industry are busy making crappy movies and the competition is so high in this field that we get crappy, crappier and crappiest movies – one after one. Then there are these organizations (AMMA, MACTA, FEFKA and all those funny names) which functions like gangs and we see their gang wars quite often. And it is cinema that dies in this war.

The whole incident of Thilakan being an outcast from Malayalam cinema has proved that there is no hope for any improvement in the near future. Thilakan had accused AMMA (Association of Malayalam Movie Artists) of not allowing him to work in the movies and he pointed fingers at the superstars (Mammootty and Mohan Lal) in particular. What followed was a series of cheap stunts.

Director B Unnikrishnan, general secretary of Film Employees Federation of Kerala (FEFKA), said that the actor in Thilakan has died. But Thilakan has some great performing moments of Malayalam cinema (or rather Indian or world cinema) to his credit and we all know what kind of movies B Unnikrishnan has directed. Unnikrishnan also said that he would resign from his general secretary position if Thilakan could prove that FEFKA banned Thilakan from acting in films. Incidentally, the same FEFKA has threatened to pull out all technicians from the movie “Dam 999” if Thilakan was cast and the producers threw Thilakan out of the project. And as far as we know B Unnikrishnan still holds on to his position.

The above incident proves that there is some truth in what Thilakan says. He also lashed out at the Super Star fans and I whole heartedly agree with him on the fan-hood. The fan associations work like thugs, threatening people if they boo in cinema halls (and they themselves send booing teams when their enemy star’s cinema is released) and they also threaten people who leave after intervals when they are fed up of watching crap movies, and now the fans of Mohan Lal and Mammootty have united against Thilakan. Kerala now see that the rivals joining hands to fight a lone, old man.

Thilakan undeniably is a great actor. The truth is that if there is Thilakan acting in a super-star movie, he outshines the super stars with his acting prowess; however small his role is in the movie. So there are good reasons to believe what Thilakan says about the popularity-hungry, fan-fed Superstars working on denying him chances. Take a couple of superstar movies for example. “Kireedam“, an award winning movie where Mohan Lal and Thilakan played father and son, had both Mohan Lal and Thilakan in an equal performance and for the movie lovers, it was a treat (remember the scene where Thilakan says “kathi thaazheyideraa…“?). Or take Mohan Lal’s commercial hit “Sphadikam“. Thilakan’s Chacko maash was the most powerful character in that movie than Mohan Lal’s Aadu Thoma. Or take Mammootty’s “Kauravar“. It was an outright Thilakan movie, though Mammootty was in the lead role. Or take movies like “Perumthachan“, “Moonnaam Pakkam” etc. I can draw a lot more examples.

But he had very little support from industry, probably because nobody wants to question the “kings” and destroy their own career. Sukumar Azheekode came in support of Thilakan but he only added more garbage to the already stinking mess. Thilakan had claimed that he is a staunch Communist, but the party kept mum on the whole matter. It is understandable particularly when Mammootty is the chairman of party-owned Kairali TV. So the party did not back the ‘lesser Communist’ when they have ‘elite Communists’ in their fold. But renowned director Shaji N Karun came in support of Thilakan. He said, “The organizations have nothing to lose if they ban Thilakan. But the it is the cinema viewers who are going to lose.” He is so right. It is not AMMA, FEFKA or any other organization who is going to lose, but us, the Malayalam movie viewers. And the members of these organizations are busy looting our money and give us crappy movies.