Malayalam film songs of 2011 – My picks

2011 may not have been an exciting year for Malayalam box office, but it certainly was a turning point in the history of Malayalam film music industry. The industry had opened up to the rock music genre last year and a new trend of movie inspired OSTs had been introduced. As a result, we had a song from India’s leadingย  and Kochi’s own rock band Motherjane for the film Anwar in 2010. The trend continued this year with the Malayalam rock band Avial played the end title song, Aanakkallan, for the film Salt N Pepper. It seems to be continuing as the audio of the end title song from the upcoming film Asuravithu, sung by the new rock sensation, X-Factor fame Piyush Kapur, is out on YouTube.

It shows that the new age film directors who target the young audience are ready to go beyond the regular track to try out something new. And the stage is set right. There has been no better time than now for the independent music scene in India and the youth in Kerala are also reaching out to different genres of music.

2011 was also the year of Shreya Ghoshal in Malayalam film music. She has probably sung more songs than Chitra in Malayalam this year. Unlike other singers from the north and south of India, she has given much effort in terms of pronunciation and that is evident from her renditions. But are the music directors trying to use her pan-Indian image for the publicity of their albums is a question. If that is the case, some of the equally talented young singers from Kerala – Gayatri, Manjari and Swetha – are missing out in the competition.

So here comes my list of top 12 Malayalam songs of 2011. You can view/hear the songs on YouTube, if you click on the song names.

 

Song: Naattu vazhiyorathe
Movie: Gaddhama
Singer: K S Chitra
Music: Bennet-Veetrag
Lyrics: Rafeeque Ahammed

Song: Chimmi Chimmi
Movie: Urumi
Singer: Manjari
Music: Deepak Dev
Lyrics: Kaithapram

Song: Chembarathi Kammalittu
Movie: Manikyakallu
Singer: Shreya Ghoshal, Ravishankar
Music: M Jayachandran
Lyrics: Anil Panchooran

Song: Ithile Varoo
Movie: The Train
Singer: Sujatha
Music: Srinivas
Lyrics: Rafeeque Ahammed

Song: Kannoram Chingaaram
Movie: Rathinirvedham
Singer: Shreya Ghoshal
Music: M Jayachandran
Lyrics: Murugan Kattakkada

Song: Himakanam
Movie: Violin
Singer: Gayatri, Ganesh Sundaram
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Chembaavul
Movie: Salt N Pepper
Singer: Pushpavathy
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Premikkumpol
Movie: Salt N Pepper
Singer: P Jayachandran, Neha Nair
Music: Bijibal
Lyrics: Rafeeque Ahammed

Song: Pranaya Nilaa
Movie: Teja Bhai and Family
Singer: Shaan Rahman
Music: Deepak Dev
Lyrics: Kaithapram

Song: Manjil Melle
Movie: Makaramanju
Singer: Yesudas
Music: Ramesh Narayanan
Lyrics: Chandran Nair

Song: Amruthamaay
Movie: Snehaveedu
Singer: Hariharan
Music: Ilaiyaraja
Lyrics: Rafeeque Ahammed

Song: Mazhaneer Thullikal
Movie: Beautiful
Singer: Unni Menon
Music: Ratheesh Vega
Lyrics: Anoop Menon

 

Honorable mentions:

To Reshmi Satheesh for the songs Appa Nammade and Chalanam Chalanam from the movie Urumi. The highlight of both these songs is Reshmi’s powerful voice.

To Rex Vijayan for the background score of Chaappa Kurish. Rex has given a totally different approach compared to the traditional way our musicians have been scoring music for films.

 

Related posts:

Malayalam songs of 2009 โ€“ My picks
Malayalam songs of 2008 โ€“ My picks

 

Trunk Call – song teasers posted!

Trunk CallWe are so happy to post the song teasers from Trunk Call, the upcoming Blogswara album! Trunk Call is the first of itโ€™s kind in the history of Blogswara as the album has a central theme of bi-lingual songs which brings in the flavors of different languages and music genres into each song.

Contrary to the previous albums of Blogswara (earlier, Blogswara let itself to be the platform for ready-to-publish songs so people could send in what they had ready at hand), we had asked the song teams to work on a central theme that required each song to have a minimum of two languages. The theme stands close to the very basic principle of Blogswara, which is to unite people from different places using music as the medium to communicate. Even though we had received 19 song teams announcing their participation, only 6 song teams had submitted the songs out of which only 4 could make it to the final list. So we thank all the 4 song teams who took an extra effort to create new songs based on the given theme.

So here it comes, the song teasers from the upcoming album. Listen, share and show some love! ๐Ÿ™‚ The new album will go live online (need I say that the entire album is free to listen and download?) on January 1st, 2012. So stay tuned for the full versions!

Responsible journalism – New Indian Express style

500 TN women workers rescued from Kerala border, said the news headlines of The New Indian Express daily on December 7th, 2011. Then it went on to say,

In one of the worst incidents of mob frenzy over the ongoing Mullaiperiyar dam safety row, nearly 500 women estate workers from Tamil Nadu were held hostage and some of them allegedly sexually harassed in Idukki district in Kerala on Monday. [link]

This is from the Tamil Nadu edition of the newspaper and reported by someone named Gokul Vannan. As expected, several attacks were followed and directed towards Malayalees in Chennai and Coimbatore. Many Malayalee shops were targeted including Joy Alukkas and K R Bakers in Chennai. Malayalee shop owners in Chennai and Coimbatore are feared for their lives. All because of the news that churned out from a rumor.

The ‘reporter’ obviously must be aware of the tension that exists between Kerala and Tamil Nadu in the name of Mullaperiyar dam. Water is a big issue for the neighbor and compared to an average Malayalee, an average Thamizhan has fairly good respect to women (this of course is valid as long as the women stick to the traditional norms – remember how actress Khushboo had a temple built in her name and then it was brought down to earth when she commented on pre-marital sex?). So any common man can assume the gravity of the issue when the news of Thamizh women being assaulted by Malayalees in the name of Mullaperiyar dam comes to the front. Then why can’t a ‘news reporter’ consider that aspect and treat the news right?

The funny bloody thing is that there was no such incident. There was no such report in the Thamizh and Malayalam regional TV channels. An activist online friend checked with several Malayalam and Thamizh news papers – including The Times of India, The Hindu, Dinamani, Dinakaran, Dinathanthi, Malayala Manorama and Mathrubhoomi – but couldn’t find any source that said so.

From his Google Plus page:

When I contacted Idukki Collector on this issue through a reliable source, I came to know that it was a full-length fabricated story. (Idukki Collector: E Devadasan, ph: 09447032252).

Later, I contacted a friend of mine who is the welfare officer of a tea plantation in Idukki. From his words, I could understand that about 95 percent of the people working in the plantations there were from Tamil Nadu who are still continuing their work.

When I asked about the report to my counterparts in Kerala, I understood that even the Kerala editions of The New Indian Express have not carried the mentioned report.

This is one person who took the effort to confirm the news using his contacts. But our national media houses, CNN-IBN and NDTV, did not take the pain to do a fact check and republished the story with crediting the source to Express News Service.

This is the sad state of affairs with our media. And not an apology, not a word, yet, from either The New Indian Express or from IBN Live and NDTV.

A homemade short film

I usually try and find some time to spend with my nieces and nephews when they come home. So one day they were at my place and wanted to check out my phone. I asked them if they would be interested in making a ‘movie’. They were excited and I made them say some nonsense dialogues and captured it on the video. When I showed it to them, their excitement knew no bounds. So they wanted to do another ‘movie’. But I wanted to catch up with my sisters and have a chat with them downstairs. So just to get rid of the kids, I told them to come up with a story of their own, write down the dialogues and then I would shoot the movie. I gave them an hour, so that I could be free for some time. But I never thought that they would take it up seriously and return with a written storyline and dialogues in just FIFTEEN MINUTES! ๐Ÿ™‚

I was totally surprised and impressed when I looked at the story line. They had a title, dialogues, an interesting ‘horror’ story and even a twist at the end. All these from two kids (Kevin and Anthony) who are just about 10 years old (I have not changed a thing in their story and dialogues). So I called up the other nieces and nephews, asked them to do something or the other. So Divya took care of the make-up, my wifey Sony helped with costumes, Neenu and Minna were hesitant but thenย  agreed to play the roles of the vampire and mom respectively. So within 20 minutes, the shoot was complete. Even though this was meant to be some fun work for the kids, I was equally excited as them because this is my first experiment in making a short movie (if you call this a short movie). I had some fun time with post-production experiments too. ๐Ÿ™‚ I just finished editing the movie and just uploaded on YouTube. The original cast & crew are yet to see the final product; I intend to show it to them in the coming weekend.

So here comes “The vampire and a family”. The kids would appreciate your comments and I intend to show it to them. ๐Ÿ™‚

Credits:

Story, Screenplay: Kevin, Anthony
Make-up: Divya
Costumes and dubbing assistance: Sony
Starring: Kevin, Anthony, Minna (the mom) and Neenu (the vampire)
Cinematography, editing, sound & visual effects, direction: Their uncle pandit ๐Ÿ˜‰

Camera: Nokia E7
Softwares: Windows Live Movie Maker (video), Audacity (audio)

To control or not to control, that is the question!

Every single Malayali is now concerned about Mullaperiyar dam all in a sudden, though the dam has been in (alleged) danger for many years. The proposition from the Keralam side is to lower the water level, decommission the existing dam and build a new one. Why? Because Keralam fears that the dam cannot take a major earthquake and it could cost the lives of people in four districts of Kerala. But the process of building a new dam will take a few years and it remains unclear what guarantee the government will provide that an earthquake during this time will not happen or will not effect the people living in the surrounding towns. Which leads to the question, is the dam really in danger? If so, are the measures being proposed now enough to take care of the threat? Or are there any other motives behind the Keralam proposition? Keralam has also made a ‘generous’ offer to build a new dam at it’s own cost and still provide water to Tamil Nadu (which will transfer the control of the ownership, operation and maintenance of the new dam and it’s surrounding areas from Tamil Nadu to Keralam).

On the other hand, Tamil Nadu claims that the dam is in good shape and it can live longer. World over people are talking about decommissioning dams older than 40-50 years but Tamil Nadu politicians believe that it is not yet time for this 116 year old dam, built with limestone and surki, to rest in pieces. Commonsense would tell us that if not now, a new dam will have to be built sooner or later because this already 116 yrs old dam cannot survive the 999 years of the lease period. Tamil Nadu says that the safety of dam is an important matter to them also, because a burst of dam would affect the irrigation, agriculture and the lives of Tamilians. They also fear that if the new dam and it’s ownership is transferred to Keralam, they may not provide water to them.

But what does the common man learn from the whole issue? Ultimately, the issue of Mullaperiyar is not really about water or the dam’s safety but the ownership of the land. Currently, the ownership of the dam and it’s surroundings belong to the public works department of Tamil Nadu government though the area is in Kerala. Keralam had a good chance to claim it’s ownership of the dam and it’s surroundings when the lease agreement was renewed in 1970. We also had a chance to demand timely revisions of tax/lease rates per acre that Tamil Nadu has to pay. But the short-sightedness, or short-term interests of the government and officials in Keralam back then resulted in the current situation. It is only ourselves (or our politicians) to blame than the neighbor.

So what resolutions can be made now? A political resolution is most unlikely to turn out to be in favor of Keralam because Tamil Nadu has better political negotiation power in the center. Even though Keralam has a couple of Congress ministers in the center, it will be stupid to expect the UPA government to intervene against the interests of both Karunanidhi and Jayalalitha as regional political parties play a big role in the coalition politics in India. If safety is the concern, Keralam should wait for the report of five-member committee appointed by Supreme Court and act accordingly. Meanwhile, we should take measures to handle an emergency situation in the area. If the water supply is the concern to Tamil Nadu, they should ensure the supply through a legal pact with Keralam while making sure of the safety of people and timely decommissioning of the dam. Or if ownership is the real issue behind all this, both states should make it clear and file their claims in the court.

Right now, it doesn’t seem both sides are being honest in their stance.

(Photo courtesy: The Hindu)

Yesudas – fifty years on

Do you remember the first time when you heard Yesudas’s voice? Probably don’t. If you ask me, I would say it is as difficult a question as asking when was the first time you heard your mother’s voice. It is said that not a day passes in a Malayali’s life without listening to this legendary singer’s voice. And now, the man has marked fifty years in the playback singing profession.

Yesudas is the ultimate benchmark for Malayalees when it comes to singing. “You sing like Yesudas!” was the ultimate compliment that a singer could get in the old days. In my childhood, the quality of singing was always measured by comparing a singer’s voice to Yesudas’s. So anybody who had a melodious voice would be fondly called “Junior Yesudas” in the local circle and that’s the biggest appreciation one could get in his local community. This has negatively affected singers who had a different tonal quality (not all good singers need to have a sweet voice and not all songs demand a sweet voice to render them).

As time has passed and people got exposed to various singers and genres of music, the benchmark was changed. Now, at least in the musician circles, having a voice that resembles or ‘accused’ to be resembling Yesudas’ voice is a curse. During my visit to Chennai, I had given a demo CD to a person in the industry on a suggestion from a friend. This person then gave it to a couple of music directors and then later told me that ‘they don’t need yet another Yesudas’. I realized how times have changed from my childhood, when everybody wanted to sing like Yesudas to this incident. From then onwards, the process was to cast-out the Yesudas influence. So I’d be more careful not to sound like Yesudas and would be disappointed and defend myself if I got a comment that said, “you sound like Yesudas!”, even if it is in a positive nature.

Yesudas has a contrasting life story. He was born in a poor Latin Catholic (kind of a Dalit in the Kerala Christian caste-ism) family and was taught music by a Tamil Brahmin. He is still not allowed to enter Guruvayoor temple because he was born Christian, but his song “Harivaraasanam” is played in the Sabarimala temple everyday before the sanctrum sanctorum is closed for the day. The Christian church has not disowned him, probably because of his popularity, even in the old days when a Christian would be expelled from the religion if he went to Sabarimala by following the penance and rituals. He has sung in several Indian and foreign languages, even though the perfection of his diction in languages other than Malayalam and Tamil are debatable. Purists of Karnatik music would say he has too much filmized the classical music, but he could help generate an interest in classical music among the laymen with his semi-classical filmy songs. He had made news when he allegedly said that Lata Mangeshkar should stop singing whereas he continues to sing in his 70s which has begun to draw criticism from some quarters.

For an ordinary Malayalee, Yesudas is not just a singer but an angel who advocates for peace. Somebody who transcends the borders of religion. And there is a saintly aura that was built around him in all these fifty years. And no ordinary Malayalee can tolerate any criticism against him.

One could very well doubt if this saintly, secular image was carefully tailored by the man himself. Though he has often commented on sociopolitical issues, he’s always been careful to sound neutral. When he spoke against something, particularly where the religious extremism is involved, he has never specifically spoken against anybody or any organization. He would pass on general/neutral comments which would give him a round of applause generally from all quarters. Most of the times, this is in the name of harmony and peace but it is debatable if it is part of an image that he is trying to maintain.

No matter how his sociopolitical comments are taken, there are many things that a singer could learn from the man. His hard work that started from the days of live recording, when there was no punch-in softwares available, and his devotion to music that he sacrifices some of the earthly pleasures for music.

At 71, Yesudas is not much of a wanted name in the Malayalam film music industry. With a wide variety of choice of singers and exposure to other language music and genres, Malayalees have learned to live past Yesudas. Perhaps this would be the right time for the singer to do what he had advised Lata Mangeshkar sometimes back. To stop singing filmy songs and dedicate full time to classical music. Nevertheless, Yesudas will continue to remain an icon in the Malayali community as long as he goes with the popular ideals of the society.

(Photo courtesy: The Hindu)

The Sharma Psyche

I’m appalled by the parole conditions of Manu Sharma, the killer of Jessica Lal. The parole conditions say that Sharma is not allowed to go to any night clubs or discotheques. Why only night clubs and discotheques? Is it because the murder of Jessica Lal had happened in a night club and going to a similar place would make him repeat the crime (earlier he had been to a night club during the parole)? Or in other words, is it to be understood that it is the place – not the man, his criminal mindset and his influential family – that lead to commit the murder? Suppose there is a serial killer whose first killing takes place in an abandoned building, so if we stop him from entering such a building afterwards, would he never commit a murder again?

Somebody please tell me how the killer psyche works. There must be a reason why Manu Sharma is granted parole with the condition of being not allowed to go to a night club or a discotheque. Or is there one?

Story of barefoot knowledge

Just as Harini mentioned in her blog post, I too am wondering why Sanjit “Bunker” Roy isn’t a household name in this country. Why does it take a foreigner to tell us about the innovators and social entrepreneurs like Bunker Roy? Why is it that only someone like Steve Jobs with his hi-tech gadgets can inspire Indians? Why does it take a Time 100 list or a TED Talk to tell us the story that could change the whole of rural India or the lives of the poor in the whole world?

I haven’t seen such a path-breaking, innovative and unconventional approach that has the potential of changing the lives of a large chunk of world’s population. More power to Bunker Roy!

Santhosh Pandit vs. Malayalam Media/Cinema

So much has been said and being said about Santhosh Pandit, an amateur movie director, actor, producer… (and so on). But nothing has been so abusive as the television show “Niyanthrana Rekha” on Manorama News yesterday. The program started with anchor Shaani saying that Santhosh Pandit’s movie has nothing to it’s credit and from there began the ‘show’ orchestrated by Shaani and Manorama News. Either Shaani has not cared to see the impact that Santhosh Pandit has made (negative or positive) in the Malayali society or she has chosen to ignore it completely. Whichever is the case, she has set a bad example for an anchor of such a show.

Santhosh Pandit definitely has something to his credit. His movie shows that the viral and social media marketing could help a lot in bringing people to theaters, provided it has something to hype about. The hype here was in a negative manner, but Santhosh has used it to the core to make money out of it. People wanted to see and cheer a clown and Santhosh Pandit happily let himself to be one. It is a fair trade and I think Santhosh is the ultimate winner at the end of the day. He’s got everything that an amateur artist could ask for – his video has lakhs of hits on YouTube, for which he claims that he gets Rs. 4/hit, he has appeared on all major Malayalam television channels, his movie is now showing in 14 theaters in Kerala though it was started with 3. The man is making money and he is (in)famous. Shaani of Manorama News chose not to see it.

But it did not stop there. The stage set by Shaani yesterday was taken over by someone called Adv. Baburaj who in all his 18 years of existence in Malayalam cinema was barely noticed until, ironically, he made himself to be a clown of a character in the hit movie Salt N Pepper. He made personally abusive remarks against Santhosh Pandit. He went on to ask if Santhosh Pandit has a mental disorder and made fun of Santhosh’s outfit. All this while the anchor, who is supposed to the ‘moderator’ of the show (someone please explain to her what responsibilities comes with a moderator title) stood silent (and probably smiling). Not an attempt to stop Baburaj or to remind him that personally abusive remarks on public television could not be allowed, particularly when Pandit has not hurled out any abuse against Baburaj.

What Baburaj has churned out with his 18 long years of experience in the Malayalam movie industry are the movies like ‘Black Dalia‘ and ‘Manushyamrugam‘. Both of them were box office disasters and won no critical acclaim and that man sat there rubbishing Santhosh Pandit who is a first time amateur in the industry.

I haven’t watched Santhosh Pandit’s movie “Krishnanum Radhayum” and I have no plans to watch it in the theatres. Just because I can tell from the trailers and clips of the movie I have seen on YouTube that it will be crap (just as I don’t watch Baburaj’s movies either in the theater or on television). Plus, I have no interest to go to a theatre to hurl abuse at someone who has not done any harm to me, knowing exactly what I would get out of it (most of the audience – particularly the young crowd – knew what they would get from the movie and paid to see it on screen). I do look for his latest interviews though, because I am curious to see if this man is consciously making a fool of himself or not. His rationale in many of the interviews are unmatchable and the current Malayalam cinema industry will have no option than being silent before the questions he pause in those interviews.

I think Santhosh Pandit has talent. If not in acting or direction, he would match the current industry standards with his music compositions and dialogues. I like the song “Raathri Subharaathri” or “Vachasaalum Vapusaalum“. I think if any of the ‘surviving’ superstars delivered the punch dialogues that Santhosh has delivered in his movie, they would be an instant hit among their fans. So these two areas are what Santhosh could genuinely work on and contribute to the box office industry.

And for Shaani and her types, I wonder if they would treat Mammootty or Mohan Lal the way they have treated Santhosh Pandit for their performances in the movies such as Vaamanapuram Bus Stop, Thuruppugulaan or such. I also wonder why did Manorama News bring a psychiatrist to the debate on a movie. Would they do the same thing to discuss a crappy movie of any of the leading stars in Malayalam?

Related: Kerala’s YouTube stars!