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Nitin_Sawhney_London_Underground

London Undergound – Nitin Sawhney

I like the whole package. Even though this album is inspired by a tragic event, I think every city/village should have a package of something like this. Music and sounds you hear in the day/night and in the city’s mainstream/underbelly.  Because we all have a story to tell, wherever we live, though music.

Age of Statues

I never thought that the statues had such enormous power. Without moving an inch, making an expression or talking, they can lead an entire group to engage in violence. They can call for Hartals or Bandhs in their names or rake controversies. You know, now I get why Mayavati is so keen on unveiling so many of her own statues, so that she would still have power over the people even after she is gone from this world.

We have been talking about ETs and Aliens taking over the world, but I think now we should rather worry about the age of the statues. Imagine what a statue which is 133 ft tall could do to the entire Kanyakumari district if it gets life. Or those numerous elephant and Mayawati statues could do to Uttar Pradesh. Isn’t that scarier than the aliens?

And I’m not even talking about the thousands of statues we call by the pet name “idols” which are placed in and out of our temples and churches. They must have already been frustrated and waiting for the final war to take control over the world. Imagine this conversation:

Statue #1:Mate, that dude Statue #3 in the sanctum sanctorum steals all the fun

Statue #2: How is that?

Statue #1:
We stand outside in this hot weather, looking at the same direction all the time, but he gets to see all those hot chicks who come to bow before him!

Statue #3: You think that’s fun? You get to see all the buzz going on outside, while am stuck in this garlands and holy smokes everyday! And that fellow in the white rob gets to drink red wine in my name and earn money for that and the other fellow in the saffron rob gets those offerings and earn money too!

Statue #1: Shit!

Statue #2:Pigeon-shit!!

Statue #1:What??

Statue #2: On your head

Statue #1: Oh damn, not again! Shoo… shoooo…

Interview with Vidyu

Could you please share any unforgettable musical moments or concerts that you had?

An unforgettable musical moment for me was when I sang in front of Yesudas when I was in High School and he was sitting right next to me while I stood in front of the mike. Was I nervous!!! But as soon as I was done, I got to talk to him and I vividly remember him being appreciative and saying “take care of your voice, please start learning classical music, don’t eat ice-cream!!!”

Singing with Abhijeet in Kansas I would say would be the most unforgettable concert for me.

Vidyu needs no introduction to those who have been frequenting to music blogs. Read rest of the interview with Vidyu at Audio India.

“Kerala Kerala, Quite Contrary”

Kerala Kerala, Quite Contrary

Book title: Kerala Kerala, Quite Contrary
Category:
Anthology
Editor:
Shinie Antony
Publisher:
Rupa & Co.

When I received the copy of “Kerala Kerala, Quite Contrary“, the first story I read was written by Vinod Joseph, my friend and author of the much-talked-about “Hitchhiker”. What I generally see in the writings about Kerala by the people of Malayali descend who stays outside Kerala, is that they are always critical of Kerala. But Vinod’s short stories never go judgmental but observant. Whether it’s the “Stories from Simhapara” or the one in this book, “A matter of faith“, you can see a slice of Kerala and honesty in his writings. His story in this book, “A Matter of Faith“, tells about the growing Charismatic phenomena among Kerala Christians and it’s a good read.

The book, edited by Shinie Antony, is an anthology. There are 26 pieces in this book which describes Kerala through the individuals’ point of view – through stories, essays, excerpts from books and interviews. A few of these individual view points lack to see Kerala in it’s truest spirit, probably because most of the authors are outside observers who come to Kerala for an annual visit to their ancestral houses.

Take D Vijayamohan’s essay for example. His whole piece turns out to be an anti-Communist tirade. Even though he rightly points out at the old and idiotic stands of Kerala Communists like the one against Computers, he see evil only in the Communists and squarely blames them for the State’s problems. He never mentions anything about the successive Congress governments who are equally responsible. And he also has not seen what Communism (not the present-day Communism) has contributed to the social thread of Kerala. But we are not to be surprised because he is Malayala Manorama’s Delhi bureau chief.

But there are other interesting articles. “The Strange Sisters of Mannarkkad” by William Dalrymple, for example. It talks about how Goddess Bhagavathy and Virgin Mary co-exist in the village of Mannarkkad and Christians and Hindus pray to each others’ Gods. A rarity of religious beliefs which can most probably be seen only in Kerala. The other interesting reads include Satchithandan’s piece on evolution of literature in Kerala, Rtd. DGP Hormis Tharakan’s memoir, a history of Anglo-Indian community in Kerala, a speech transcript of Shahi Tharoor on development etc.

Artist Yusuf Arakkal in his piece complains about the Malayali’s lack of ability to appreciate art. What he fails to understand is that, from an audience/appreciator part, the appetite for Art – especially modern art – generally comes along with money. In a crowded place like Kerala (or India for that matter), where people strive hard to feed off their families well than themselves, art comes secondary or the last thing in their lives. They don’t have time to study or appreciate art and it’s different forms. People in America or France can, perhaps. So it is obvious of artists to migrate to other countries or other cities of India where their art will be appreciated and bought off for some grand bucks. The majority of people in Kerala do not have that luxury so Yusuf will have to excuse. It is changing though, as the number of richest people increase (or rather, the rich becomes more richer) in the cities of India. So Yusuf can stay there and sell off copies of his paintings (which he probably means by “appreciating art”) for thousands or lakhs of rupees, but his complaint is not so valid back at home, given the constraints. And it is not a Malayali phenomena but an Indian phenomena generally.

Musician Rama Varma has a piece on music in Kerala that writes about Sopaana Sangetham, which is originated in Kerala to the present-day musical reality shows. There was nothing more than a sentence about Kerala’s folk music tradition though. He also explains Karnataka Sangeetham doesn’t mean “music from Karnataka” but “Karna-Ataka-Sangeetham” which means “Music pleasant to the ears”.

Another interesting piece is by Cardinal Varkey Vithayathil who openly says, “I would also like to explode the myth – that Syrian Christians in Kerala were originally Brahmin converts. I doubt there were Brahmins in the first century in the Malabar Coast.” This comes as a blow to the caste-Christians (mostly Syrian Christians of Kerala) who proudly claims to have Brahminical ancestry.

Overall, this book is a good read for both Malayalis and non-Malayalis and I would say it is also a slice of India that this tiny state decorates in it’s southern end.

RIP Murali

The Indian Cinema, particularly the Malayalam cinema, has lost yet another talent today as actor Murali from Kerala passed away leaving his legacy behind. Malayalam cine actor Murali, who is also familiar to other South Indian audience, has died today (August 6, Thursday) in Thiruvananthapuram due to a massive heart attack.

When I watched his movie “Pulijanmam” a couple of months back, I was thinking of the great talent that this actor possessed. I was going to write a review because Murali was just amazing in this film as both Kaari Gurukkal and Prakashan. Pulijanmam remains as my most favorite film of Murali. He has won a national film award for the best actor for the film Neythukaaran and won state film awards for the films like Amaram, Neythukaaran and Aadhaaram.

Rest in peace, Sir…

Thank you Savita Bhabhi

Thank you Savita Bhabhi for adding nearly 1000 hits to my blog almost everyday since my first post about you. Google put my link in the third place for the keyword “Savita Bhahi” which has now been pushed to the 8th place in the first page.

And to all those poor souls who came here by searching for Savita Bhabhi in Google, I know you must have cursed me a hundred times for not posting a single nude pic of the Bhabhi. Sorry to have wasted your time, but hey! Now I am the one who is spoofing the way that Indian men treating our women! Phew!

After a short break

I was away for the past 3-4 days on a short break.  There was a betrothal function in the family on Saturday and a song recording session on Sunday morning (details of the song to be followed soon). On Sunday afternoon, I and my friends in the hometown went to Munnar for a one-day trip. It was not much of a sight-seeing trip, but a chance for us friends to spend some time together after a long gap. A time for the boys-turned-men to be boys again. 🙂 I couldn’t shoot enough pics as my digicam stopped working in between. So I had to rely on my mobile phone cam and here are some snaps from the place.

At top station, Munnar – this place has a spectacular view of the valley

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Kundala Dam Lake – So beautiful and pristine. Take a boat ride and sit still at the middle of the lake. It’s a great experience in itself.

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Rajan P Dev passed away

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Rajan P Dev, one of the versatile actors that Malayalam cinema ever had, has passed away yesterday. Regardless of the kind of roles he got – be it villainous (Indrajaalam), humorous (Aniyan Baava Chettan Baava) or character roles (Azhakiya Ravanan) – he handled them all with an artistic mastery. Coming from a strong theatrical background, he was most famous for his legendary portrayal of Kochu Vaava in Kaattu Kuthira (drama). He has also directed two movies. He will be missed…

(Image courtesy: Indulekha.com)

Interview with Meera Manohar

Continuing the series of interviews with music bloggers, Audio India has posted an interview with Meera Manohar. Check it out at Audio India.

You do live shows with your band. What are the challenges of singing on stage?

Live shows are way so different than studio/home recording. The thing I love most about stage shows are the vibrancy and on the minute improvisation opportunities that comes with it. Of course, no retakes whatsoever–so one take, and either you make it or break it 🙂 Getting a feel for the pulse of the crowd/listeners is a challenge and might even change with every other song in a live show. Stage shows are tough, extremely enjoyable, and a very beautiful experience. Learn so much with each and every show that I do. [Read more…]